Guided listening first
Start from the sound itself, not from a glossary.
Ear for the Masters is a guided audio education in Western classical music. It starts with Theory Foundations: an 18-episode first season on pitch, melody, harmony, rhythm, form, orchestration, post-tonality, rhetoric, and deep structure, built to train the ear instead of stopping at vocabulary.
Hear what cadence, sequence, and texture actually do, and the repertoire opens up quickly.
Start from the sound itself, not from a glossary.
Eighteen episodes that stand alone as a complete first course.
Accessible in tone, ambitious in scope, and built for long-term listening.
Eighteen episodes moving from pitch and melody through harmony, form, orchestration, rhythm, tuning, rhetoric, and deep structure. Every episode below can be streamed or downloaded directly.
Modes, key as gravity, and how composers exploit your expectations.
Antecedent-consequent, period structure, and endless melody.
Inversions, seventh chords, functional harmony, and pedal points.
Hemiola, cross-rhythm, additive rhythm, and augmentation.
How four notes can generate the identity and structure of a symphony.
Canon, fugue, and the art of hearing independent voices in relation.
Why the same notes can sound utterly different when color, register, and layering change.
From Mozart's tonal clarity to Schoenberg's world beyond the center.
How music remembers itself through return, contrast, and development.
Secondary dominants, modal mixture, the Neapolitan, and the augmented sixth.
How lines create necessity inside harmony.
Register, doubling, spacing, balance, and contrast in orchestral thought.
How interval, cell, symmetry, process, and ordered pitch can replace tonal gravity.
How composers reorganize time through regrouping, pulse pivots, cells, and process.
How tuning systems changed what harmony could imagine.
How harmonic partials shape timbre, resonance, consonance, and orchestration.
How Classical music speaks in recognizable social and dramatic types.
How tonal music sustains long-range coherence beneath surface detail.
Theory Foundations is only Track 0. The broader project is designed as a structured path through repertoire, history, style, forms, sacred music, opera, and listening practice.
The grammar of listening: pitch, melody, rhythm, harmony, form, orchestration, rhetoric, and deep structure.
The essential works and why they became essential, with attention to form, style, and historical placement.
From chant and counterpoint to Classicism, Romanticism, and modern fracture.
Focused encounters with Bach, Mozart, Beethoven, Schubert, Wagner, Debussy, Stravinsky, and others.
Symphony, sonata, quartet, concerto, mass, requiem, lied, opera, and tone poem as living structures.
How ritual, text, stage, and theology change musical time and expressive pressure.
Repeated hearing sessions organized around specific skills: cadence, sequence, orchestral color, motive, and texture.
Entry points for deeper work in analysis, aesthetics, interpretation, and twentieth-century technique.
The long goal: make the great repertoire feel inhabited rather than merely admired from outside.
Ear for the Masters now works as a public listening surface for Theory Foundations. The broader project still includes a local app, but the first season can stand on its own here as streamable lecture audio.